If you love watching Telly Savalas being Telly Savalas on screen then his slightly larger than cameo appearance nearer the end of the film makes this a must see as his dust cropper pilot character toys with Gould’s big city reporter. Doyle spins it and says he saw the same film and it was only 24! The other clip could be considered the highlight of the film. Gould references movies and the fact that his editor should give him 48 hours to come up with the story or he’s fired.
First up, reporter Elliott goes toe to toe with his editor played by David (Bosley) Doyle. See for yourself where it goes and just how Elliott is going to bust the story wide open.Īlways enjoying the banter of performers on screen, there are a couple of outstanding scenes down the stretch. All the while Holbrook is at her side to offer his support.Įnough of the plot.
While Gould is not quite ready to divulge his suspicions, Vaccaro delivers a fine performance of the proud yet grieving widow thrust into the national limelight. While they’re racing for their lives, Gould’s life is in peril after he seeks out Brolin’s wife, Brenda Vaccaro.
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With their death warrants signed, the astronauts escape their Mars hangar in the middle of the desert and head off in three separate directions searching for civilization where they can be seen and seek out a TV station or newspaper. Heroes that can never be seen again on the face of their home planet if Holbrook’s scheme is to continue. These three men having conquered Mars are now heroes. Now imagine the worst possible scenario for Brolin and his traveling companions. Gould brushes things off until Walden disappears without a trace. A mystery develops for his reporter’s nose when Walden tells him of some strange suspicions concerning the Mars mission. He covers the NASA lift off, unsuccessfully tries to bed Black and hangs out with pal Robert Walden. Top billed Elliott Gould is a reporter working alongside guest star Karen Black.
When the capsule crashes back into the earth’s oceans, the three men will be strategically placed to re-enter the capsule, soon to be picked up by the navy. The reasoning is that due to the threat of cost cuts to the program, Holbrook and superior powers couldn’t chance the possibility of failure. The trio of astronauts are to act out their mission in a hangar made up to look like the surface of Mars. Your families!” the threat becomes clear. Meanwhile, space program director Hal Holbrook meets with Brolin and his crew to explain why the last minute decision to pull them from the craft and what devious scheme he needs them to participate in. In front of government dignitaries like David Huddleston and members of the astronaut’s families, the rocket takes off on it’s journey to Mars. Simpson are to begin their journey to Mars, they are pulled from the spacecraft and whisked off by jet to a top secret location in the outlying desert area. Just as James Brolin, Sam Waterston and O.J. Hyams does double duty here as director/writer in this Lew Grade backed production that also features a stirring score from Jerry Goldsmith to heighten the drama and action sequences to come. Nothing is as it seems in this fine example of the conspiracy theory film and one I continually recommend to those unfamiliar with it. An engaging thriller of the first manned mission to Mars from director Peter Hyams gives Elliott Gould top billing over a first rate cast.
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